Since Blogger is taking its sweet time updating my last, very interesting (koan-ical) post, I will take my own sweet time composing another. I have a dilema, see, and part of it is that you will not be able to help me with it because I will be forced to decide before you read this post.
Hence it is pointless.
Hence I am howling into void.
Question marks are bouncing around in my skull, hooking my cheek and pulling me toward some really grim, happy place where everybody is nice and speaks through puppets surgically affixed to their *real* faces. (I swear this place exists. I read about it in a magazine.)
My dilema: what to read next.
Let me preface this by telling you what I just finished, so you can catch my mood.
I finished Vernor Vinge's "A Fire Upon the Deep" which, although it has a completely unrelated title to anything in the story, was nigh fantastic. The best SF I've read in years. It reminded me of David Brin's "The Uplift War". Then I read that both Vinge and Brin are/were profs at San Diego state and the mind went click click (i.e. They are pseudonymic reflections of the self-same individual, probably robot generated. Am I on the right track here?)
So Vinge was so good that I decided to unswear off of Science Fiction forever. I decided I would read it with relish and ignore the possibility that I would spend my life reading hoplessly high-concept, preachy but poorly executed books like (brace yourself):
"A Canticle for Leibowitz" by Arthur Miller Jr. (Ok so we're doomed to repeat the mistakes of the past. Did we really need to get through 300 pages of filler just to hear it?)
"Ender's Game" by Orson Scott Card. (I'd rather play a video game than read about someone else playing one. Oh and the punchline is ok, but doesn't justify the rest. )
"Ringworld" by Larry Niven. (Even books about cheerio shaped alien worlds need to have endings. And plots. And drama.)
"Foundation" by Isaac Asimov. (I know you're "the man" but a book about a library should have 3d characters, not just cardboard props to hang a good idea on. And don't tell me to read your sequel: if you can't make the first book good, don't expect me to read a second.)
"Rendezvous with Rama" by Arthur C. Clarke. (If I wanted to read about people wandering around a big, inhuman place wondering what the heck it means, I'd read "House of Leaves" again -- *there's* a book for you.)
"Eon" by Greg Bear. (Its a good thing you wrote "Queen of Angels" and "Slant", dude, cause your silly asteroid with a big tunnel in it is just plain stupid, stupid, stupid.)
"Cryptonomicon" by Neal Stephenson. (You're a good writer, man. Really exciting. WWII. Filipinas. The Internet. Some code. I'm with you I'm with you I'm with you I'm with you where are you going with this I'm with you I'm with you I'm...zzzzzzzzz)
So you can see I'm pretty jaded by the SF I've read. These are some heady names above and for the record, I have like much I've read, too, and I'm *not* claiming to be better than these guys. But neither am I making a living as a writer. Yet.
So picking up Vinge and liking it was a good feeling. It was like coming home to a nifty, but potentially unstable house. Or maybe I am just a nifty but unstable guy. Either way, one little quiver and the whole facade comes crashing back down.
So I took a risk and picked up "Red Mars" by a guy named Kim Stanley Robinson. Its an "epic book about the colonization of Mars". It won the Hugo award, which is one of Sci-Fi's top awards. I should have known better than to pick a book that didn't also win a nebula.
It read like the Robert Jordan fantasy series in space: interminable, wooden, cyclical. It went into excruciating scientific detail which, in better hands would have been worthwhile. Robinson had a cast of entirely uninteresting characters, whose petty internal lives seemed to be straight out of some cheap facsimilie of literate fiction, but on Mars. There was no action. There was no plot weaving. No suspense. I wanted everyone to die (most of all me).
I'd been bamboozled by the "Hugo" yet again. Some uncreative jerkoff whose never read *real* writing (i.e. the classics, any halfway decent prose stylist) just gave "Red Mars" the seal of approval because it appears to be a book (hey it has pages and ink). Fleeced. Ripped off. Abandoned on the red planet. Grrr.
So now I have to cleanse my mind. Part of me wants to just kick over that phoney, gimicky house of Science Fiction again, you know, leave it to neighborhood dogs for pissing but here's the rub:
1. Part of me feels extremely guilty doing this because great Sci-Fi, rare though it is, is unlike any other genre.
2. Part of me suspects that I am being hypercritical, demanding true literate form in a genre that, lets face it, works best with slimy aliens, ray gun fights, and starships (see Stephen Donaldson's excellent hidden space opera trilogy "The Gap Cycle". I say "hidden" because the trilogy is hidden in a 5 book series, the first and last books being unworthy of the middle 3.)
3. [*furtively glancing left and right*] I am writing a science fiction novel right now and need to keep my head "in the zone". (Note: my novel is going to be pure pulp. No high concepts, just something publishable and entertaining, which I will release under the pseudonym Clay Sails, the proceeds from which I will use to buy my writing retreat on Palawan, whereupon I will compose snooty highbrow literature about guys in sweaters ala John Updike.)
So then I decide, ok.
Tomorrow I will be on an airplane all day.
Monday I will be on an airplane all day.
Imbetween I will be at a family funeral.
I need something fun.
Something engrossing.
Something that kicks ass.
Something that is not going to leave me feeling like I'm reading a technical manual on how one might colonize Mars.
My first thought was John Le Carre. He's supposedly a master and, like another John (Irving), I have not gotten around to any of his wonderful books yet. But I work in Northern Virginia, where there are colorless men in trenchcoats aplenty, and tense think-tank politicos with cloak-and-dagger jobs but horrible, tense, tedious lives. I'm not sure I want to read a glorified wet dream about my cube mates.
Besides, I need to concentrate on Sci Fi (see reason #3 above).
So I decided I'm going to read Neil Gaiman's "Neverwhere." Karim lent it to me and, like an ungrateful boob, I let it season on my shelf for a year or two, knowing it would be good and therefore not rushing to read it (odd, paradoxical logic, yes, but welcome to my brain).
Or should I read Neal Stephenson's "Snow Crash" or "The Diamond Age"? Both are shorter than Crypto and I really want the guy to work out. But "Snow Crash" is some kind of zany parody and parodies can get old if not done perfectly. I know: I write imperfect parody all the time. And "The Diamond Age" is...well...supposedly less zany than "Snow Crash" and who wants to read a paler version of a great book?
Which is why I can't read David Foster Wallace's "Infinite Jest", even though it is supposed to be awesome and funny and stylish and mind-blowing. I'm always in the mood for mind blowing. It happens so rarely these days. I'll pay $347 for a 9,000 page gluttinous romp through drug-addled self-indulgence. Except that drug fiction bores me. Pynchon did it so brilliantly in "Gravity's Rainbow" that nobody else excites me anymore. Not even Pynchon, whose "Mason and Dixon" only held me for a few dozen pages and whose "Crying of Lot 49" is pointless and uninterestingly smug. Sure, William Kotzwinkle's lovable pothead in "Fan Man" is still unsurpassed, and William Burrough's gets props for making bubonic sores sound hip, but I don't need that stuff anymore. I'm clean. Besides, I need to read "Ulysses" before I pick up a huge magnum opus from some young upstart punk New Englander who thinks tennis is the sweetest thing ever. (Translation: I'm a wee bit jealous of Mr. Wallace even though I haven't read a lick of his writing.)
So back to Sci Fi, I guess. There's always "Perdido Street Station" which has the coolest name in decades, but seems to contain some sentient half-man, half-bird thingy who "challenges" the main character into learning some great truth or other. Whoopee.
Or "The Fabric of the Cosmos" which, although not science fiction, has such a wonderfully audacious title that the author must be a complete nerf. No thanks.
So as you can see, I'm torn. I need something mind blowing. Something fun. Something un-boring. Something portable. Something that doesn't feature Scottish drug addicts. Yet nothing "important". Nothing so "hip" I'll be disgusted with its obvious ephemerality, nothing so timeless that I'll be disgusted with my fellow human beings for not "getting" it (i.e. "Gravity's Rainbow", my favorite book, have I mentioned that ever, or just a few thousand times? *sob* I'm sorry. It leaves me weepy.)
Well, this was what I was going to say. Then I went downstairs into the sheep-warrens, where people like me stuff their faces by the hour, bleating aimlessly (*baaaa*), and milling about through dim underground hallways adorned with aging tile mosaics and grafitti-scratched plexiglass billboards for medical service parks and killer helicopters. (Doesn't everybody have these things under their office?)
I went down there and I purchased my first Terry Pratchett book "The Color of Magic", as well as Neil Gaiman's "American Gods".
I am expecting nothing more than to be blown away, instantly and unequivocally.
You know, hold me thrill me kiss me kill me (or else)...
*Baaaaaaaaaaa.*